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Author crafting machines.

My desk is crowded.

On one edge sits a hardware rig harvesting pure quantum randomness from Zener diode breakdown. On the other, a micro-controller simulates non-linear chaotic analog circuits, teaching the machine its own physical limits. Right in the middle lies a wooden sword; embedded telemetry sensors logging the exact angle and velocity of every cut through empty air. I pulled its first battery out of an old razor.

On this same desk, I wrote a dystopia and sculpted industrial electronic audio textures. I have only one axiom: Extract structure from the noise, then crack the architecture with your own hands. Because a finished system is predictable. And anything predictable is dead.

> This is the raw telemetry of a world built on my own terms.
> The gate is open.

/* OBJECTS // HARDWARE */
/* LOGS // THOUGHTS */
All Posts →
  • Writing Sound - 1

    Writing Sound - 1

    [LOG] ★

    My first sound design post. From FL Studio to Reaper, from Reaper to Bitwig — and why Bitwig isn't a DAW, but a sound IDE.

  • The Most Impossible Purpose

    [LOG] ★
    Upt.

    Even the most impossible purpose is better than purposelessness.

  • Init

    [LOG] ★

    Life. Despite everything, it is worth living as you desire.

  • Single Cut, Infinite Cells

    Single Cut, Infinite Cells

    [LOG]

    An aesthetic manifesto where sharp contrasts, katana cuts, and cellular order converge.

  • The Ghosts of My Lineage

    [LOG]

    Nurturism? Only goes so far.

  • What is a Tech Artist?

    [LOG]

    A discipline where art and engineering collide, one that hasn't even been fully defined in Turkey yet.